After a decade of silence, LUX INTERNA return with their fifth album "New Wilderness Gospel". More than just a collection of songs, the album is the centerpiece of a larger, immersive world woven from sound, text, and image. With "New Wilderness Gospel", LUX INTERNA evoke a fragmented narrative set against the desolate highways, shadowy Appalachian Mountains, and bone bleached deserts of an America at once raw and mythic. The songs hum with the crackle of unseen voices and the weight of the past bleeding into the present. Prophetic whispers travel through power lines; the silence of the desert swarms with spirits; the deep forest night yields to the presence of an even older darkness. Musically, "New Wilderness Gospel" presents a spectral tapestry – woven from the deep twang of desert blues, the ghostly echoes of Appalachian folk and gospel, the eerie shimmer of psychedelia and post-punk, and the raw intensity of American Gothic balladry. Beneath it all, warped traces of 1960s girl pop and 1980s new wave flicker like distant radio signals, barely breaking through the static. It is a sound both timeworn and time-lost – haunted by memory, but restless, always reaching forward. In the wake of their debut EP "Truth, Beauty, and All Their Severity" (2000), LUX INTERNA have released four studio albums, beginning with "Absence and Plenum" (2002), which was followed by "Ignis Mutat Res" (2004), "God Is Not Dead for the Birds" (2007), and the latest full-length "There Is Light in the Body, There Is Blood in the Sun" in 2013. At its core, the Gesamtkunstwerk "New Wilderness Gospel" asks: What happens when the song of the world begins to slip into static? When the maps fail, and the familiar trails vanish? What emerges in the wilderness beyond the horizons of empire?